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<\/figure>\n\n\n\nUntitled (sunburst),<\/em> Jodie Cavalier, Cardboard, paper, plastic, and wire, 2024<\/small><\/p>\n\n\n\n “The works in this exhibition are an extension of the artist\u2019s studio work and research around grief and celebration. Materials and rituals are combined with references to direct people and memories to create a visual story of what was, and what remains.<\/p>\n\n\n\n Las esculturas de esta exposici\u00f3n de arte son una extensi\u00f3n del trabajo de estudio del artista y de su investigaci\u00f3n sobre el dolor y la celebraci\u00f3n. Los materiales y rituales se combinan con referencias a personas directas y recuerdos para crear una historia visual de lo que fue y lo que queda.” – Jodie Cavalier<\/p>\n\n\n\n All the Other Days (Los Dem\u00e1s D\u00edas),<\/em> Jodie Cavalier, 2024<\/small><\/p>\n\n\n\n A World of Light and Shadow,<\/em> Jodie Cavalier, Riso print, 2022<\/small><\/p>\n\n\n\n Jodie Cavalier is a conceptual artist living in Portland, Oregon. She earned a BA from the University of California, Berkeley and an MFA from Pacific Northwest College of Art in Portland, Oregon. Her work has been exhibited with Converge 45\u2019s Portland\u2019s Monuments & Memorials Project in Portland, OR; the Schneider Museum in Ashland, OR; the deYoung Museum in San Francisco, CA; the Pacific Film Archive in Berkeley, CA; CoCA in Seattle, WA; Practice in New York, NY; and St\u00e4delschule in Frankfurt, Germany; among others. She has participated in residencies such as ONCA in Brighton, England; the Center for Land Use Interpretation in Wendover, UT; Wassaic in Wassaic, NY; and AZ West in Joshua Tree, CA.<\/p>\n\n\n\n Untitled (sunburst),<\/em> Jodie Cavalier, Cardboard, paper, plastic, and wire, 2024<\/small><\/p>\n","protected":false},"excerpt":{"rendered":" All the Other Days (Los Dem\u00e1s D\u00edas) Jodie Cavalier 1\/18\/24 – 3\/29\/24 Dengerink Gallery, VDEN Building Untitled (sunburst), Jodie Cavalier, Cardboard, paper, plastic, and wire, 2024 “The works in this exhibition are an extension of the artist\u2019s studio work and research around grief and celebration. Materials and rituals are combined with references to direct people […]<\/p>\n","protected":false},"author":14762,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"wsuwp_university_location":[],"wsuwp_university_org":[],"_links":{"self":[{"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/posts\/1930"}],"collection":[{"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/users\/14762"}],"replies":[{"embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/comments?post=1930"}],"version-history":[{"count":5,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/posts\/1930\/revisions"}],"predecessor-version":[{"id":2400,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/posts\/1930\/revisions\/2400"}],"wp:attachment":[{"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/media?parent=1930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/categories?post=1930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/tags?post=1930"},{"taxonomy":"wsuwp_university_location","embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/wsuwp_university_location?post=1930"},{"taxonomy":"wsuwp_university_org","embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/wsuwp_university_org?post=1930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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