{"id":821,"date":"2020-11-02T09:00:15","date_gmt":"2020-11-02T17:00:15","guid":{"rendered":"http:\/\/labs.wsu.edu\/aardwolf\/?p=821"},"modified":"2026-03-31T14:02:49","modified_gmt":"2026-03-31T21:02:49","slug":"line-online","status":"publish","type":"post","link":"https:\/\/labs.wsu.edu\/aardwolf\/2020\/11\/02\/line-online\/","title":{"rendered":"Line OnLine<\/i>"},"content":{"rendered":"\n

Line OnLine <\/i>presents a selection of work from the Fine Arts studio classes at Washington State University Vancouver. Line, one of the most basic elements in any design, is as artist Paul Klee puts it, \u2018simply a dot out on a walk!\u201d<\/p>\n\n\n\n

The works in this show reflect the many ways in which line can be manipulated to create a range of expressions and images, from the most abstract to the representational. Made in a variety of analog media, these works are converted to digital images to accommodate an online platform that has become an intrinsic part of the current times.<\/p>\n\n\n\n

\n
\"Soft

City Dancing
<\/em> Brittany Nugent
Graphite on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Rows

Today Tomorrow Today
<\/em> Sydney Phan
Ink on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"High

Smolder
<\/em> Aylona Bobrik
Inkjet Print<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Graphic

\u6ce2\u6d6a (Wave)
<\/em> Bingyan Qian
Ink on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Grid

Agastopia
<\/em> Austin Chavers
Linocut<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Dynamic

Regression
<\/em> Isaac Osorio
Ink on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Geometric

Triangle Entangle
<\/em> Jessica Kroll
Graphite on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Ominous

Prey
<\/em> Michael Lidbetter
Ink and graphite on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Delicate

Untitled
<\/em> Savanna Wilson
Graphite on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Blind

Loafer
<\/em> Dylan Steen
Graphite on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Blind

Not Chris
<\/em> Zhijiu Yu
Graphite on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Aluminum

Midnight Snack
<\/em> Sylvia Engelman
Aluminum wire<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Improvisational

Stitches
<\/em> Megan Bina
Linocut<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Various

The Only Existence: In-between
<\/em> Lacy Boyd
Ink, graphite, and charcoal on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Pastel

#422
<\/em> Roxy Hong
Acrylic on canvas<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Graphic

Lapping
<\/em> Betsy Hanrahan
Linocut<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Wire

Egg Carton
<\/em> Emily Shirron
Aluminum wire<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Linocut

Arches
<\/em> Emily Shirron
Linocut<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Scribbled

Anxiety and Control
<\/em> Alexi Wattez
Ink on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Triangular

Connected
<\/em> Hunter Mcgraw
Cardboard and acrylic paint<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Front

Sad Fours
<\/em> Yvonne Colombe
Acrylic paint<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Newsprint

Contoured Nature
<\/em> Jianys Berrios
Graphite on newsprint<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Zig

Neverending…
<\/em> Abby Fischer
Ink, graphite, and charcoal on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Wire

Wire Toucan
<\/em> Keven Fernandez
Aluminum Wire<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Graphic

Structures in a Voided Space
<\/em> Olivia Eldredge
Linocut<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Cartoon

Organ Failure, Through the Ages (Darwin\/Mozart)
<\/em> Sydney Phan
Ink on paper<\/small><\/p><\/figcaption><\/figure>\n\n\n\n

\"Textured

Stress
<\/em> Austin Chavers
Monotype<\/small><\/p><\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

Line OnLine presents a selection of work from the Fine Arts studio classes at Washington State University Vancouver. Line, one of the most basic elements in any design, is as artist Paul Klee puts it, \u2018simply a dot out on a walk!\u201d The works in this show reflect the many ways in which line can be […]<\/p>\n","protected":false},"author":14762,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"wsuwp_university_location":[],"wsuwp_university_org":[],"_links":{"self":[{"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/posts\/821"}],"collection":[{"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/users\/14762"}],"replies":[{"embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/comments?post=821"}],"version-history":[{"count":58,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/posts\/821\/revisions"}],"predecessor-version":[{"id":2468,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/posts\/821\/revisions\/2468"}],"wp:attachment":[{"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/media?parent=821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/categories?post=821"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/tags?post=821"},{"taxonomy":"wsuwp_university_location","embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/wsuwp_university_location?post=821"},{"taxonomy":"wsuwp_university_org","embeddable":true,"href":"https:\/\/labs.wsu.edu\/aardwolf\/wp-json\/wp\/v2\/wsuwp_university_org?post=821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}