Skip to main content Skip to navigation
Aardwolf WSUV Fine Arts

The 25th Annual Fine Arts Student Exhibition

The 25th Annual Fine Arts Student Exhibition features work made in a wide range of art classes from the past year. In these classes, students from different majors across campus practice the building of form, the process of conceptual development, critical thinking, and the value of a commitment to craft. As the Annual is virtual for a second straight year, it is fitting that we are able to include sound art projects in this year’s exhibition.

The Fine Arts Department at Vancouver believes that mark-making is an essential human activity, exploring the connection between contemporary art, culture, and the built environment, be it physical or virtual.


Sound Art — Compositions made from recorded text, found music & sound effects.


Vestigial is an exhibition of mixed media works featuring WSUV graduating seniors Laura Ballard and Sharalee Chwaliszewski.

Drawing upon memory, intuition, and experience, the artists explore the demands of motherhood and the freedom of the studio as forces that have shaped their natural creativity. Ballard, finding inspiration in both ancient art and modern materials, expresses in representational and abstract visual imagery the way the inner self communes with, and confronts, the outer environment. Chwaliszewski’s work, largely non-objective, investigates color, texture, and form through a fluid process of discovery. 

Works in Vestigial use water-based media and collage to present a dialogue between the artists, as well as within each artist, through reclamation of creative vision, and reflection on the impact of aesthetic development. 

Measures 1-7
Sharalee Chwaliszewski
Acrylic on canvas
2020, 10″ x 10″



Washington State University Vancouver Fine Arts Department is pleased to present Rain., a group show curated by students in Contemporary Issues Seminar.

Often considered synonymous with the Pacific Northwest, rain is essential to life. It cleanses and erodes, reveals and obscures. Rain can symbolize melancholy and introspection, or renewal and rejuvenation. Works in this show engage with all of these possibilities through the use of rhythm, pattern, and the unpredictable.

Check out the online show here: Rain.

Eye Study, Lindsey Barber (left) and Elemental Music, Sharalee Chwaliszewski (right)

Project Manager — Roxy Hong

Design Team — Lindsey Barber, Alyona Bobrik, & Dillon Gohl

Editorial Team — Laura Ballard & Sharalee Chwaliszewski

Research & Promotion — Austin Chavers & Kavin Wicker

Consultation — Avantika Bawa and Noah Matteucci

Line OnLine

Line OnLine presents a selection of work from the Fine Arts studio classes at Washington State University Vancouver. Line, one of the most basic elements in any design, is as artist Paul Klee puts it, ‘simply a dot out on a walk!”

The works in this show reflect the many ways in which line can be manipulated to create a range of expressions and images, from the most abstract to the representational. Made in a variety of analog media, these works are converted to digital images to accommodate an online platform that has become an intrinsic part of the current times.


The 24th Annual Fine Arts Student Exhibition

The 24th Annual Fine Arts Student Exhibition is online! This virtual show features work made in a wide range of Fine Arts classes from the past year, including drawing, painting, photography, sculpture, and 2D & 3D art and design.

In these classes, students from different majors across campus practice the organization and construction of form, the process of conceptual development, and the value of a commitment to craft. The Fine Arts Department at Vancouver believes that mark-making is an essential human activity, emphasizing the connection between contemporary art, culture and the built environment, be it physical or virtual.

You can also check out the exhibit on instagram or facebook.

Image > Mode > Bitmap & CMYK

Installation shot
Noah Matteucci
Spring 2020
Science & Engineering Building, 1st & 2nd Floor Galleries

Six relief prints made with 3D printed blocks

Image > Mode > Bitmap & CMYK contains a selection of work that document a decade-long obsession with the printed pixel and includes a wide array of print media, from woodblock and screen print to laser engraving and 3D relief prints. Custom looping algorithms and corrupted data files are utilized to capture chance, failure, and the loss of information that occurs when translating images between digital and traditional printmaking. While each work uses digital imagery as a starting point (the title of the show is the Photoshop command for switching between color modes), the final work is laboriously and inexorably printed by hand.

The large woodblock print installation (pictured at the top) is made by cutting  sheets of plywood into hundreds of tiny blocks, sorting these blocks into a fluorescent light grid, inking their surface with brayers, and pushing them through an etching press to record their mark on paper. This process is repeated over and over again and the act of printing starts to mirror the algorithms that generated the work to begin with, favoring process and accident over outcome and intention.

Noah Matteucci currently works as the Fine Arts Technician at WSU Vancouver.

Glitch screen print.

Student Matters

Dillon Gohl sculpture
Fine Arts Sculpture Students
November 2019 – March 2020

Library Building

Artworks from FA 350 Sculpture class, Fall 2019

Site Citations

Fine Arts Drawing Students
Fall 2019 – Spring 2020
Library Building

This show presents installations by students in the Beginning Drawing class taught by professor Avantika Bawa of the Fine Arts Department. The works were informed by interior architecture of the library, and its function as a place of both research and rejuvenation.


Scattered throughout you will find a number of these installations. Some are easy to locate, while some just creep up on you. Each installation takes into account the site where it is installed, either by responding directly to the architecture around, or the function of that particular area. In some cases, the works are the result of an imagination gone wild, while thinking of an alternative purpose of that location.
Simply put, each installation ‘cites its site’ through a careful choice of form and content.


Included in the show are works by: Kaylee Pham, Sabrina Polehn, Lilly Tan, Madiera Vath, Acoya Rehak, Matthew Gisby, Alyona Bobrick, Elaina Sundwall, Andrew Templin, Robin Hunt, Roxy Hong, Megan Robb, Seleny Calixto Luna, Natalie Quinn, Alaina Bocci, Shayla Lam and Alexander McAllister

Sitka Remembered

Kindra Crick etching
Kindra Crick
September 9, 2019 – January 6, 2020
Science & Engineering Building, 1st Floor Gallery

“The etchings in Sitka Remembered draw on imagery from neuroscience and reflect on memory and our fundamental need for sleep. Nestled in the center of a United Nations Biosphere Reserve on the Oregon Coast, the Sitka Center is a place that holds magic. Moss drapes from ancient spruce trees while soft paths through the woods provide a singular location to observe nature, contemplate, and create. Three of these prints were inspired by the rich beauty and serenity of the forest and sea and the visible depth of the night sky. Neuronal trees mingle with the neurochemistry of dreams in REM sleep which appear as constellations in the night sky. The stillness of night is a unique time for inner reverie and restoration, enabling us to link ideas and illuminate creative solutions. Another print uses magnified and abstracted imagery of neurons to delicately address the beautiful wilderness of interweaving neurons that help us maintain the stories that make us who we are.


These etchings were created with master printer Julia D’Amario during my Jordan Schnitzer Printmaking Residency at the Sitka Center for Art and Ecology in the fall of 2017.” – Kindra Crick

Kindra Crick etchings

Kindra Crick is a multimedia artist who gives visual expression to the wonder and process of scientific inquiry and discovery. In her installations and mixed-media work she incorporates drawings, diagrams, maps, and imagery from under the microscope.


Katie Babb plant drawing
Fine Arts Drawing Students
Fall 2019
Science & Engineering Building, 2nd Floor Gallery

Biota showcases works from a Special Topics Drawing course taught by Instructor Joby Barron in the Summer of 2019. Students drew from direct observation focusing on rocks and fossils, individual species, and by exploring the local biota through plant collections. The class had access to specimens in the laboratory which served as a rich source for realistic and abstract drawings.

Austin Chavers mineral drawing

Ashly Armstrong bone drawing

Images: Katie Babb (top), Austin Chavers, & Ashley Armstrong